Working with a wide array of materials means an equally wide array of tools.

Equipment :

Mixing :

Bastl Bestie 5-Channel Stereo Mixer with Up to 20 dB Boost, Mute Switch Per Channel, and Flexible Connectivity. It Is Also a Stereo Distortion/Saturator with a Pre-Routed Feedback Channel that Can Create Juicy, Crunchy Sounds.
Solid State Logic SiX 2 SuperAnalogue™ Mic Pre-Amps, 12 Line Level Inputs with Channel & Master Bus inserts.
Mackie 402VLZ4 Compact 4-Channel Analog Mixer with 2 Onyx Mic Preamps (60dB Gain), 1 x Stereo Channel, and Phantom Power.
Teenage Engineering TX-6 Field Mixer Professional-Grade Six-Stereo-Channel Audio Mixer & High-Quality Audio Interface with Extensive Customizable Options.

Recording :

Apple iMac Retina 5K, 27″(Late 2015), 4.0GHz QC i7, 3 TB up to 4.2GHz, 24GB PC3-14900 DDR3 1867MHz SO-DIMM.
Harrison MixBus 32C DAW.
HHB MDP500 Portadisc Professional Minidisc Recorder, Adaptive Transform Acoustic Coding (ATRAC) 4.5.
Nagra Mezzo Linear PCM Handheld Stereo Recorder.
Nakamichi 682 ZX Discrete 3 Head Cassette Deck, Asymmetrical Dual Capstans, Automatic Azimuth & Level Calibration.
RME Fireface UCX 8 In & Out Channels Audio Interface.
RME ADI-2 Pro FS Black Edition 2 Ch. Analog In – 4 Ch. Analog Out AD/DA Converter.
Schiit Bifrost 2 Stereo True Multibit™ Autonomy™ Digital-Analog Converter with Unison USB™.
Sony MDS-JA50 ES Minidisc Recorder, Adaptive Transform Acoustic Coding (ATRAC) 4.5 with 16, 18 & 20-bit Capabilities (Out ; 24-bit In), “No-Clip” Option to Avoid Clipped-Samples, Support for CD Pre-Emphasis & Subsequent Decoding, Separate R-Core Transformers for The ADC & DAC Sections.
2- Sony Walkman WM-D6C Professional Portable Cassette Recorder, with Amorphous Head, Quartz Speed Lock & Disc Drive Transport System.
Solid State Logic 2+ 2-Channel USB Audio Interface with Legacy 4K analogue enhancement effect.
Various Plug-Ins available on request including Waves Ltd.
Yamaha MT50 Cassette 4-Track Recorder (Dual Speed Modded : 4.75cm/s & 9.5cm/s )
Zoom F3 192 kHz 32-bit Float Stereo Field Recorder with Super-Low Noise Floor (−127 dBu EIN).

Monitoring :

2- Davis Acoustics EVA Loudspeakers.
2- Dorrough Model 40-B Relative Loudness To Peak Modulation Meter.
Fatman iTube (2 x 25 W Intregrated Tube Amp)
McIntosh MA 5100 (Original 60’s 2 x 45W Integrated Amp).
McIntosh MA 6200 (Original late 70’s 2 x 100W Integrated Amp).
Tivoli Model One Mono System designed by Henry Kloss, with 2.5” Speaker.
Tivoli Model Two Stereo System designed by Henry Kloss, with 2.5” Speakers.
Tivoli Audio Portable Audio Laboratory (PAL) Portable Mono System Designed by Henry Kloss, with 2.5” Speaker.
2- Yamaha NS-10M Loudspeakers.
2- Avantone MixCube Active Loudspeakers.
2- Bowers & Wilkins 705 Loudspeakers, 120W, 8Ω.
2- Tannoy Arden Cabinet with 15’’ Tannoy HPD-385A Alnico Driver, 85W, 8Ω.
2- Tannoy Gold 5 200-Watt Bi-Amplified Nearfield Studio Reference Monitor with Proprietary 5″ Dual Concentric Point Source Technology.
Neco Soundlab V3 MOSFET Class A Dual Mono Headphone Amplifier, with AD8610 Op-Amps.
Grado PS1000e Headphones.
Sharkk Bravo Hybrid Electrostatic Headphones.
Sony MDR-7520 Headphones.
Sony MDR-Z1000 Headphones.

Cassette Tape Decks, Compact Disc Player, Record Players & Radio Tuners :

Denon DN-600F CD player with LAMBDA Super Linear Converter & Pitch Control.
Denon DP-75 Direct Drive Turntable with Double Construction Platter.
Landscape HC-TT (Human Controlled Tape Transport) Compact Cassette Manipulation Device with Momentary Touch Mute, CV/Gate Outputs & I/O Feedback Touch Points. 1/4″ Mono IN/OUT.
McIntosh MR 500 Digital FM Tuner, Signal Locked Loop (SLL) System Tuning Circuitry with Quartz-Crystal Oscillator & MOSFET R.F. Amplifier.
Onde Magnétique OM-1 Analog Cassette Synthesizer Built Around The Concept That When a Continuous Tone/Note Is Recorded to Tape, Its Pitch Will Change as The Tape’s Playback Speed Is Increased or Decreased. Individual Notes Are Playable via The 8 Buttons (Keys), Each with a Tuning Knob Directly Above It. With Built-In AM/FM Radio & Optional Pitch Ribbon with 3.5mm TRS Cable.
SME Series IIIS Pick-Up Arm.
Shure V15 VxMR Audiophile Cartridge.
Shure VN5MR Audiophile Stereo Dynetic Stylus.
Sony CDP-XB920 QS CD Player with Fixed Head Mechanism (KSS-213B) & Pulse DAC Digital Filter with Variable Coefficients (CXD8735N Converter).
Sony Walkman WM-DD9 Portable Personal Cassette Players with Two Independent Direct Drive, Double Quarz Capstan Servo & EX Amorphous. Dolby B/C Noise Reduction. Gold Plated Headphone Socket.
2- Sony Walkman WM-D6C Professional Portable Cassette Recorder, with Amorphous Head, Quartz Speed Lock & Disc Drive Transport System.
Stanton D50E MkII Cartridge.
Tivoli Model CD Slot-Loading CD Player.
Tivoli Model One Mono System Designed by Henry Kloss, with 2.5” Speaker.
Tivoli Model Two Stereo System Designed by Henry Kloss, with 2x 2.5” Speaker.
Tivoli Audio Portable Audio Laboratory (PAL) Portable Mono System Designed by Henry Kloss, with 2.5” Speaker.

Pre-Amplifiers :

Chandler Limited TG2 Abbey Road Special Edition Stereo Mic / Line Pre-Amp with Switchable Impedance mod. (Recreation of the Original Abbey Road’s EMI TG12428 Pre-Amp).
DSM & Humboldt Simplifier DLX Analogue 0 Watt Stereo 2-Channel Amplifier with 2 Studio Grade Preamps Capable of Modeling Iconic Amplifiers Tones & Full Stereo Digital Reverb.
Mackie 402VLZ4 2 Onyx Mic Preamps with 60dB Gain.
2- Solid State Logic 2+ Legacy 4K Mic / Line Pre-Amp.
2- Solid State Logic Six SSL SuperAnalogue™ Mic / Line Pre-Amp.
Tech 21 NYC SansAmp Classic, preamp with three-position Input switch : Lead (Marshall®-style), Normal (Mesa Boogie®-style), & Bass (Fender®-style).

Dynamics :

Manley Stereo Variable Mu Limiter Compressor, Version 4.
Solid State Logic SiX G Series Bus Compressor.

Equalizers :

Manley Massive Passive Stereo Equalizer.
Solid State Logic SiX Two-Band SSL EQ.

Filters :

Bastl (& Casper Electronics) Softpop SP2 Feedback Communicator Pingable Filter with the POP Cross-Modulation.
Bastl Kastle 2 FX WIZARD Compact, Patchable Stereo (Audio Processing at 44kHz/16-bits) Multi-Effects Unit : Delay (max. time in stereo is 1.15s), Flanger, Freezer, Panner, Crusher, Slicer, Pitcher, Replayer, Shifter. CV Input with Attenuation to Change Modes. TRIG Input to Synchronize Effects with Tempo. Pattern Generator (Tempo Synced) with GATE & CV Output + Patch Programmability.
Erica Synths Zen Delay Designed with The English Independent Record Label Ninja Tune. Combining a Tempo-Synced Stereo Delay Line with a Multimode 24dB/Oct Synth Filter & a Tube Circuit for Analog Overdrive. Ugraded with a Mazda 12AX7 NOS tube.
Erica Synths SYNTRX [sintrex] MkI All Analogue Stereo Synthesizer conceived with Engineers from Riga Technical University & Based on The Legendary Peter Zinovieff’s Electronic Music Studios (E.M.S.) VCS 3 (a.k.a “The Putney”) & The E.M.S. Synthi A / Synthi AK / Synthi AKS designed by David Cockerell. The SYNTRX MkI has a Digitally Controlled Analogue Patch/Mixer Matrix, 3 Highly Accurate VCOs (Over 8 Octaves Tracking), 3 VCAs, an ASR/AD Looping Envelope Generator, a Ring Modulator, a Noise Generator with “Color” Filter, a Spring Reverb, a Joystick Controller & 2 Built-In Speakers. It also has 2 Input Amplifiers with Adjustable Gain so It Can Be Used as a Stereo Effect Processor.
Korg Nu:Tekt NTS-1 Single Monophonic Digital Oscillator, One Multimode Filter (Low Pass 2/4-pole, High pass 2/4-Pole, Band Pass 2/4-pole &OPEN mode, All with Resonance), on EG, Three LFOs, Three Stereo Effect Processors & Full Arpeggiator.
Meng Qi Wing Pinger 2x 4-Pole Resonant Low Pass Filters with Cross “Pinged” & Modulation ability, Both Directly & by Generated Step Signals.
Moog MF-101 Lowpass Filter Moogerfooger with classic Moog Ladder Filter [Select between 12dB/Octave (bright) & 24dB/Octave (deep) Filter Slopes], Envelope Follower & Multiple CV/Expression Pedal Inputs & Outputs.
Moog MF-105M MIDI MuRF Multiple Resonance Filter Array (MuRF) with 8 Band Array of Resonant Filters Controlled by 8 Sliders & Pre-Programmed Animation Section. Full Range of Control Voltage Inputs & Extensive MIDI Implementation.
Moog Minitaur Compact Subharmonic 2-Oscillator Analog Bass Synth with 24dB “Ladder” Low-Pass filter & External Audio Input for Processing Audio Through the Mixer & Filter Section.
Vongon Paragraphs AS3320 [Improved Curtis CEM3320 (Elka Synthex, Fairlight CMI II/IIx, Linn 9000/Linndrum, Oberheim OB-8/OB-Xa/SX, PPG Wave 2, Sequential Pro-One, Sequential Prophet 5/10, etc.)] Analog Chip Analog 4-Pole Resonant Low Pass Filter with an Attack, Decay (AD) Envelope Generator with CV & MIDI Inputs.

Reverb, Delay, Processing & Rack System Effects :

Alesis Microverb II 16-bit “True” Stereo Digital Reverb featuring Alesis R.I.S.C. (Reduction Instruction Set Computer) Architecture with 16 Presets.
Bastl Kastle 2 FX WIZARD Compact, Patchable Stereo (Audio Processing at 44kHz/16-bits) Multi-Effects Unit : Delay (max. time in stereo is 1.15s), Flanger, Freezer, Panner, Crusher, Slicer, Pitcher, Replayer, Shifter. CV Input with Attenuation to Change Modes. TRIG Input to Synchronize Effects with Tempo. Pattern Generator (Tempo Synced) with GATE & CV Output + Patch Programmability.
Boss DC-2w Dimension C Stereo Chorus Pedal.
Chase Bliss Generation Loss MKII Stereo VHS Duplicator, 2-in-1 Magnetizer with MIDI, CV & Expression Control, Presets, & Internal Modulation of All Its Knobs.
Chase Bliss Mood MKII – Light Bright Edition, Multi-Effects Pedal Made in Collaboration with Drolo FX & Old Blood Noise Endeavours : MIDI Stereo Granular Micro-Looper/synthesizer, Reverb & Delay.
Ciat-Lonbarde Cocoquantus 2 2x 8-bit Loopers & Digital Delays. It Has Inputs for XLR Microphones, High-Impedance Instrument Sources, and Two Stereo Line-Level Sources ; Dolby Switches Gate Input/Effect Signals. The Face of The Instrument Is an Esoteric, Washington DC, Spell, Consisting of Two Obelisks & One Pentagon In The Middle : Inside Each Obelisk Is a Little “Counting Computer” (“COCO”) That Samples Your Inputs & “Loops” Them ; The QUANTUSSY In The Middle, a Pentagon Design of 5 Oscillators (Each Oscillator Is a Triangle Wave with a Three-Position Frequency Range Switch), Can Demonstrate Serious Chaos, At Low Frequencies As Well As Audio Rate… Thus It Is Specially Designed to Give Many Options for Modulating The COCOs.
Colossus Audio ZAKAL Resonant Spring Reverb Audio Feedback Instrument : Amplification & Recovery Circuits Designed to Generate Audio Feedback through its Spring Reverb with LPF & Delay within The Feedback Path. A 3-band EQ Provides Additional Shaping of The Output.
Digitech Obscura Altered Delay up to 2 second of stereo delay with 4 algorithms & tap tempo.
Erica Synths Zen Delay Designed with The English Independent Record Label Ninja Tune. Combining a Tempo-Synced Stereo Delay Line with a multimode 24dB/Oct Synth Filter & a Tube Circuit for Analog Overdrive. Ugraded with a Mazda 12AX7 NOS tube.
Erica Synths SYNTRX [sintrex] MkI All Analogue Stereo Synthesizer conceived with Engineers from Riga Technical University & Based on The Legendary Peter Zinovieff’s Electronic Music Studios (E.M.S.) VCS 3 (a.k.a “The Putney”) & The E.M.S. Synthi A / Synthi AK / Synthi AKS designed by David Cockerell. The SYNTRX MkI has a Digitally Controlled Analogue Patch/Mixer Matrix, 3 Highly Accurate VCOs (Over 8 Octaves Tracking), 3 VCAs, an ASR/AD Looping Envelope Generator, a Ring Modulator, a Noise Generator with “Color” Filter, a Spring Reverb, a Joystick Controller & 2 Built-In Speakers. It also has 2 Input Amplifiers with Adjustable Gain so It Can Be Used as a Stereo Effect Processor.
Eventide H949 Harmonizer De-Glitched Pitch Shifting with Unique Flange, Reverse & Random. Popularized by Jimmy Page (as the only piece of digital gear to grace his rig) and cherished by Suzanne Ciani.
Gamechanger Audio LIGHT Pedal Analog Monophonic Reverb with Mechanical Spring Reverb Tank & Multiple Sets of Infrared Optical Sensors. The LIGHT Pedal Features Six Unique On-Board FX Modes : Optics (Infra-Red Aensor Calibration Mode), Sweep (Rich Modulated Reverb Sounds by Sweeping Between Optical Sensor Pairs), Term (Tremolo Pulsating Effect Achieved by Switching The Optical Sensors On & Off / Can Also Be Applied to The Spring Output), Reflect (Lo-Fi Delay Algorithm that Sends Multiple Repeats of The Input’s Signal Back Into The Spring Tank), Feedback (Special Circuit that Causes The Spring Tank to Self-Oscillate), & Harmonic (Shimmer-Style Reverb Effect Achieved by Exciting Specific Harmonics of The Spring Tank).
Gamechanger Audio PLASMA Rack 1U Sized High-End Audio Effects Unit Designed with an Extra Large Xenon Tube that Conducts Audio Signal at Voltages of Up to 5500 Volts. The Result Is an Incredibly Sharp & Sizzling Overdrive that Is Extremely Clear & Responsive. This Patent-Pending Technology of High-Voltage Electric Discharge Also Acts as a Natural Noise-Gating Device that Creates Strong Contrasts Between Staccato Notes, as Well as Eliminating All Unwanted Noise & Pick-Up Hum. Suitable & Designed To Use With Guitar, Bass, Synthesizer & Drum Tracks. Featuring 3-Band EQ, Sustain Mode Compression, Built-In Plasma Tremolo & Ring Mod Effect with Adjustable Depth & Dynamic Response, Additional High-Class Op Amp Distortion, 3 Effects Loops Located At Different Parts of The Signal Chain & Full MIDI Control.
Gibson / Oberheim Echoplex Digital Pro 16-bit digital 44.1kHz Recording/Sampling to RAM with Up to 200 Seconds of Recording Time.
Hologram Electronics Microcosm “Black Colorway Edition” 11 Granular Stereo Effects (with a Total of 44 Preset Variations) Using a Variety of Sampling, Pitch-Shifting, Slice, Stretch, Delay & Looping (Stereo Phrase Looper / Up to 60 Seconds) Techniques. Each Effect Can Be Tweaked with Built-In Pitch Modulation, Lush Stereo Reverb (with 4 Selectable Modes) & Resonant Lowpass Filter. “Hold” Sampler Function to Freeze Effects & Patterns. MIDI In/Out/Thru Clock Synchronization. Selectable True Bypass Switching / Buffered Bypass with Trails.
Korg Nu:Tekt NTS-1 Single Monophonic Digital Oscillator, One Multimode Filter (Low Pass 2/4-pole, High pass 2/4-Pole, Band Pass 2/4-pole &OPEN mode, All with Resonance), on EG, Three LFOs, Three Stereo Effect Processors & Full Arpeggiator.
Lexicon Reflex Dynamic Midi Reverberator.
Meng Qi Wingie 2 Stereo Resonator 2x External Audio Processing to Create Singing Resonances with On-Board Microphones or Stereo Line-Level Input (3.5mm TRS), On-Board Keyboards for Stereophonic Harmonizing & Real-Time Performance. TRS MIDI Input for Furthering Sonic Tailoring to an External Device or Sequencer.
Monome Norns Shield (2x 210330 Revision). Norns Is Many Sound Instruments : a Small, Portable, Open-Source Sound Computer that Dynamically Runs Scripts & DSP, Such as : Sample-Cutter ; Polysynth ; Algorithmic Drum Machine ; Drone box ; Granulator ; Asynchronous Looper ; Polyphasic Sequencer ; etc. with 2x Monome 64h (8×8) & Monome Grid One (16×8 Keys) controller.
Moog MF-101 Lowpass Filter Moogerfooger with classic Moog Ladder Filter [Select between 12dB/Octave (bright) & 24dB/Octave (deep) Filter Slopes], Envelope Follower & Multiple CV/Expression Pedal Inputs & Outputs.
Moog MF-102 Ring Modulator Moogerfooger with a Voltage-Controlled Carrier Oscillator, a Voltage-Controlled Dual-Waveform LFO, Multiple CV/Expression Pedal Inputs & Outputs.
Moog MF-103 12-Stage Phaser Moogerfooger with LFO, Multiple CV/Expression Pedal Inputs & Outputs & Stereo Audio Outputs.
Moog MF-104M Analog Delay White Edition (4x) “Bucket Brigade” Moogerfooger 800ms Delay with 6 wave shapes (Sine, Triangle, Square, Ramp, Reverse Ramp, Sample & Hold) LFO, Multiple CV/Expression Pedal Inputs, MIDI input & Tapo Tempo.
Moog MF-104MSD Super Delay 560 piece limited production Analog Delay based on the MF-104M. Over 1.2 seconds of Delay Time provided by 6 NOS Panasonic “Bucket Brigade” with 6 wave shapes (Sine, Triangle, Square, Ramp, Reverse Ramp, Sample & Hold) LFO, Multiple CV/Expression Pedal Inputs, MIDI input & Tapo Tempo. Short/Long Delay Switch for Bright, Articulate 50ms-600ms Trails & Dark, Mysterious 100ms-1200ms Trails. Improved Power Supply, Bias & Rail Generating Circuitry from MF-104M for Greater Sound Quality & Reduced Microphonics. Added Emphasis/De-Emphasis Circuit for Reduced Noise & Delay-Loop Level Matching Circuitry from the 500 Series Analog Delay for Maximized Feedback & Mix Stability.
Moog MF-105M MIDI MuRF Multiple Resonance Filter Array (MuRF) with 8 Band Array of Resonant Filters Controlled by 8 Sliders & Pre-Programmed Animation Section. Full Range of Control Voltage Inputs & Extensive MIDI Implementation.
Moog MF-107 FreqBox Analogue Oscillator with FM, Integral Envelope Follower, Hard Sync, Multiple CV/Expression Pedal Inputs & Outputs & Stereo Audio Outputs.
Moog MF-108M Cluster Flux “Bucket Brigade” Chorus/Flange Moogerfooger with 6 wave shapes (Sine, Triangle, Square, Ramp, Reverse Ramp, Sample & Hold) LFO, Multiple CV/Expression Pedal Inputs, MIDI input, Positive & Negative Feedback, Tapo Tempo & Stereo Audio Outputs.
OTO Machines Biscuit 8-bit effects & Analog Filter.
Phonicbloom Glo, The Polyphonic Whale MkII Pocket Synthesizer that Works by Collecting all Surrounding Noises, Pleasant or Annoying, & Wrapping Them in a Beautiful Ambient Track, which Can Be Modulated with Musical Algorithms for Live Interaction. Granular Sampler :“Infinite Looper” with Loops Up to 10 Seconds at Maximum Sampling Rate, or More at Lo-Fi Rates. Line Input as an Alternative for Built-In Microphones. Optical Sensor which Can Measure Either Ambient Light, or Light Reflected from Surfaces, Converting Patterns to Sound. It also features Mutable Instruments Clouds (Granular Texturizer), Binaural Beats & Reverb for Deeper Sound Manupulations.
Supro Chorus Analog Stereo Chorus using a pair of MN3007 BBS.
Vongon Paragraphs AS3320 [Improved Curtis CEM3320 (Elka Synthex, Fairlight CMI II/IIx, Linn 9000/Linndrum, Oberheim OB-8/OB-Xa/SX, PPG Wave 2, Sequential Pro-One, Sequential Prophet 5/10, etc.)] Analog Chip Analog 4-Pole Resonant Low Pass Filter with an Attack, Decay (AD) Envelope Generator with CV & MIDI Inputs.
Vongon Polyphrase Echo & Looping Device Inspired by Early Proto-Digital Delays of the 1970’s like the Lexicon Prime Time. Delay Times From 5 Milliseconds to 22 Seconds. Echo Pitch Modulation with Sine or Random Style Waveform. Tap Tempo & Midi Tempo sync.
Vongon Ultrasheer Stereo Reverb (Based on the Plate Reverb Sounds of the Classic Lexicon 224 from 1978) & Vibrato (Smooth & Transparent Digital Pitch Shifter that Preserves the Full Bandwidth of the Signal) Unit.

Miscellanous :

Little Labs ibp junior Analog Phase Alignement Tool.
Little Labs redeye Re-Amp / DI tool.
Rupert Neve Designs Portico 5042 Stereo Tape Emulator & Transformer-Coupled Line Amplifier.
TouellSkouar Hirlostek Self Powered Bright Noise Generator.

Misc. Mixing / Recorders :

HHB MDP500 Portadisc Portable Minidisc Recorder.
Kudelski Nagra Mezzo Handheld Stereo Recorder with Built-In Microphone.
Nakamichi 682 ZX Discrete 3 Head Cassette Deck, Asymmetrical Dual Capstans, Automatic Azimuth & Level Calibration.
Plextor PX-712UF Firewire CD / DVD Recorder with Vari-Rec & Power-Rec Mode.
Sony Walkman WM-D6C Professional Portable Cassette Recorder, with Amorphous Head, Quartz Speed Lock & Disc Drive Transport System.

Microphones :

Beyerdynamic Soundstar X1N Cardioid Dynamic Microphone.
2- FEL Communications Limited Pluggy XLR EM272Z1 Matched Pair Primo EM272Z1 Omni-Directional Low Noise (14 dBA Self-Noise) & High Sensitivity (-28 dB) Microphones with Unique Electronic Design that Provides a Regulated Voltage to The Capsule whether The Unit Is Powered from 12, 24 or 48 Volt Phantom.
LOM Elektrouši Stereophonic Electromagnetic Sensors.
LOM Geofón Sensitive Omnidirectional Geophone Adjusted for Field Recording Purposes & Seismic Measurements (10- 1000+ Hz).
Lomo Model 19A19 “Flashlight” Large Diaphragm Cardioid Condenser Microphone.
Metal Marshmallow Pro Phantom Powered Contact Mic and Preamp with Adjustable Gain.
2- Michael Joly MJE-384 Matched Pair Small Diaphragm Cardioid Condenser Microphones.
Oktava ML-52 Prototype Figure-8 Dual Ribbon Microphone with RCA 44BX Mod by Stephen Sank (Talking Dog Transducer Company).
Russian Transducer Technology RTT/AEG MKL-100 Large Diaphragm Cardioid Condenser Tube Microphone Made by Alexey Chkhaidze.
Shure SM57 Cardioid Dynamic Microphone.

Synthesis :

Arturia MicroFreak Stellar Experimental Hybrid Synth that Combines Digital Oscillators with an Analog State Variable Filter (12dB/Octave) with 25-Key Capacitive Keybed (Velocity & Polyphonic Aftertouch). Monophonic, Paraphonic or Unison modes – Up to 4 voices. It Has Monophonic, Paraphonic or Unison Modes (Up to 4 voices), a Vocoder, a Wavetable Engine, a Sampler Engine & 3 Granular Engines, a Powerful Arpeggiator & a 64-Step Sequencer, CV & MIDI Outputs.
Bastl (& Casper Electronics) Softpop SP2 Analog/Digital, 37-point Patchbay Modular Synth with Lush Tones designed by Peter Edwards & Václav Peloušek, Inspired by Cult-Classic Synth Benjolin created by Dutch Synth Genius Rob Hordijk. Complex Digital 8-step Sequencer & Quantizer. Pingable Filter with POP Cross-Modulation.
Blokas Midihub Standalone MIDI Processor & Router.
Ciat-Lonbarde Benjolin (Later Renamed “Peterlin”) Rob Hordijk’s Benjolin Re-Created by Peter Blasser of Ciat-Lonbarde. The Benjolin Consists of Two Voltage Controlled Oscillators, One Voltage Controlled Filter & a Circuit Hordijk Invented Called a Rungler. The Rungler Is a Quasi-Random Control Voltage Generator Whose Output Can Be Routed to The VCOs or The VCF. The Rungler Itself Is Driven by The VCOs, so There Is a Feedback Relatio.
Ciat-Lonbarde Clicker Dual Voice Synthesizer Based on LM3900 Quadruple Norton Op-Amp with 2 Trigger Inputs (Accepting Ciat, Standard Trigger, or Eurorack Voltages), 2 Manual Trigger Buttons, 1 Music Mode Button to Change Between The Two Modes, 2 AD Envelope Generators, 2 Ringlers (Hordijk Inspired Ring Modulator), with a Cross Modulation Section. Created by Peter Blasser from an Original Idea by Jan St. Werner (Mouse on Mars). Jan Described this Instrument as “an Orchestra in a Microsecond.”
Ciat-Lonbarde Cocoquantus 2 2x 8-bit Loopers & Digital Delays. It Has Inputs for XLR Microphones, High-Impedance Instrument Sources, and Two Stereo Line-Level Sources ; Dolby Switches Gate Input/Effect Signals. The Face of The Instrument Is an Esoteric, Washington DC, Spell, Consisting of Two Obelisks & One Pentagon In The Middle : Inside Each Obelisk Is a Little “Counting Computer” (“COCO”) That Samples Your Inputs & “Loops” Them ; The QUANTUSSY In The Middle, a Pentagon Design of 5 Oscillators (Each Oscillator Is a Triangle Wave with a Three-Position Frequency Range Switch), Can Demonstrate Serious Chaos, At Low Frequencies As Well As Audio Rate… Thus It Is Specially Designed to Give Many Options for Modulating The COCOs.
Ciat-Lonbarde Golden Section, A Benjolin/Peterlin accompanied by Supplemental Modules : a Gesture Controller Named Gold after the Gilding Which Composes Its Antenna & a Voltage Sampler Attenuverter Called Section.
Gold Is a Gesture Controller with 2 Gesture Points Perfect for Opening & Closing The Filter, or Tuning The Oscillator Up & Down. Orange Is the Output for each Gold.
Section Is a Voltage Sampler Where The Green Are The 2 Inputs for The Voltage Sampling & The 2 Blue Are The CV Control. Orange Is The Output for Each Section. A Perfect Patch to Get Your Section Rolling Is Any 2 Orange Outputs On The Golden Section, Whether They Are from The Benjolin/Peterlin or The Gold.
Ciat-Lonbarde Shbobo Shnth, Palm-Sized Programmable Digital Modular Synthesizer Designed by Peter Blasser & Steve Korn. The Synth Has Four Wooden Bars with Piezo-Based Pressure Sensitivity, Left & Right Woven Antennae for Interacting with Sounds in Ways That Change Depending on How You’re Holding The Shnth & Both a Buiolt-In Microphone & a Stereo Line Input to Process Sounds. It Features an ARM Cortex 32-bit Processor Programmed with a Custom Music Programming Language Known as shLISP (Mac, Windows, & Linux). It Is Powered by USB or Internal Battery.
Ciat-Lonbarde Sidrax Organ Stereo Touch Organ Synth with Seven Wooden Bars That You Press To Express Seven Triangle Waves Oscillators & 44 Modulation Points Brought Forth as Banana Jacks. Each Bar, Outputs in Different Channels During The Press/Release Cycle.
Colossus Audio ZAKAL Resonant Spring Reverb Audio Feedback Instrument : Amplification & Recovery Circuits Designed to Generate Audio Feedback through its Spring Reverb with LPF & Delay within The Feedback Path. A 3-band EQ Provides Additional Shaping of The Output.
Dave Smith Instruments / Roger Linn Design Tempest 6-Voice Analog/Digital Synth & Drum Machine. Each of The 6 Analog Voices Has 2 Analog Oscillators, 2 Digital Oscillators (with over 450 Drum Samples & Waveforms) & 1 Sub-octave Generator (1 Octave Below Oscillator 1), Classic Curtis Analog Lowpass Filter (Switchable 2- or 4-Pole) with Audio Rate Modulation, Self-Oscillating in 4-pole Mode, Additional Highpass Filter, Analog VCA with Feedback, 5 Envelopes (ADSR + Hold), 2 LFOs & Variety of Analog Modulation Routings. Analog Compressor & Distortion (Main Audio Outputs). 16 Pressure & Velocity Sensitive Lit Pads. Although Optimized for Drum Sounds, it can be played as a 6-voice Analog Module Synth.
Dirtywave M8 MkII Portable Tracker Sequencer (8 Monophonic Tracks/Voices) & Synthesizer (Wavsynth ; Macrosynth – Based on Mutable Instruments Braids ; FM – 4 OP 12 Algorithm with Feedback per Operator ; Sampler – 8/16/24-bit Mono & Full Stereo .wav Format with No Sample Memory or Length Limitation.) with Built-In Microphone. Created by Timothy Lamb aka Trash80 & Powered by the Teensy Micro-Controller & Inspired with Love from the Renowned Gameboy® Tracker Little Sound DJ. Global Reverb, Chorus, Delay & a Master Bus Limiter.
Elektron SIDStation Commodore 64’s MOS 6581 Sound Interface Device (SID) Synthetizer. Hybrid Analog-Digital Module Synthesizer Based on the Famous Sound Interface Device “SID 6581” Created by Bob Yannes (Ensoniq) with 3 Oscillators & Variable Parameters (Detune, Sync, Transpose, Delay Start, PWM, Ring Modulator), 5 Waveforms (Triangle, Saw, Mixed, Noise, Pulse with Variable Width) & Multimode Resonant Filter with Cutoff Range from 30 Hz to 12 kHz.
Elektron TurboMIDI TM-1 USB-MIDI Interface.
Empress Effects ZOIA Modular Digital Synthesizer in Pedal Form : Custom Effects, Synthesizers, Midi & CV Controllers & Virtual Pedal Boards.
Erica Synths SYNTRX [sintrex] MkI All Analogue Stereo Synthesizer conceived with Engineers from Riga Technical University & Based on The Legendary Peter Zinovieff’s Electronic Music Studios (E.M.S.) VCS 3 (a.k.a “The Putney”) & The E.M.S. Synthi A / Synthi AK / Synthi AKS designed by David Cockerell. The SYNTRX MkI has a Digitally Controlled Analogue Patch/Mixer Matrix, 3 Highly Accurate VCOs (Over 8 Octaves Tracking), 3 VCAs, an ASR/AD Looping Envelope Generator, a Ring Modulator, a Noise Generator with “Color” Filter, a Spring Reverb, a Joystick Controller & 2 Built-In Speakers. It also has 2 Input Amplifiers with Adjustable Gain so It Can Be Used as a Stereo Effect Processor.
Future Retro Zillion Single Track Algorithmic MIDI Sequencer Based on the Triadex Muse.
Korg Nu:Tekt NTS-1 Single Monophonic Digital Oscillator, One Multimode Filter (Low Pass 2/4-pole, High pass 2/4-Pole, Band Pass 2/4-pole &OPEN mode, All with Resonance), on EG, Three LFOs, Three Stereo Effect Processors & Full Arpeggiator.
Korg Nu:Tekt NTS-2 Multifunctional 4-channel Oscilloscope [Monitoring Control Voltage (CV) & Audio Signals alike] with Flexible Waveform Generator, a Spectrum Analyzer & Tuner Functionality.
Korg Nu:Tekt NTS-3 kaoss pad 4 Simultaneous Stereo Effects with XY Pad Touch Interface.
Korg SQ-1 Compact Step Sequencer with 2 x 8 Steps, Two CV/GATE OUT Channels, Standard MIDI OUT & USB MIDI.
Meng Qi Wing Pinger Oscillator-less Analog Synthesizer Designed by Chinese Artist & Designer Meng Qi, Inspired by Rob Hordijk’s Instruments. It’s Based on a Pair of 4-Pole Resonant Low Pass Filters Surrounded by a Network of Comparators, Pulse Converters, Binary Counters & Shift Registers. Filters Can Be Cross “Pinged” with Multiple Feedback + Cross-Modulation Paths & Controlled by Two Independant Touch-Plate Keyboard. External Audio Inputs (2x), MIDI & CV I/O.
Meng Qi Wingie 2 with Blippoo Alternative Firmware Inspired by Blippoo Box, a Genius, Organic, Chaotic & Unpredictable Instrument Created by Rob Hordijk (1958-2022), Who Contributed a Lot to Synthesizer Design. May His Spirit Lives On in His Instrument Designs, Thoughts & Influences. MIDI Controlled by Music Thing Modular‘s 8mu.
Modern Sounds Pluto Portable Semi-Modular Synthesizer with Two Voices & Two Sequencers (Quantize to Preset Scales, MIDI, or Even Audio Input), Wavetable & Low-Aliasing Digital Oscillators, Built-In Delay & Reverb Effects (Audio Input for Audio Processing).
Møffenzeef Mødular Stargazer Drone Machine with Dual Wavetable Oscillator, Ninety Arbitrary Waveforms, Two Resonant Lowpass Filters, Three Wavetable LFO’s, Sample Rate Reduction, Bit Rate Reduction, Amplitude Modulation, & CMOS Distortion.
Monome Norns Shield (3x : 1x 191106 Revision + 2x 210330 Revision). Norns Is Many Sound Instruments : a Small, Portable, Open-Source Sound Computer that Dynamically Runs Scripts & DSP, Such as : Sample-Cutter ; Polysynth ; Algorithmic Drum Machine ; Drone box ; Granulator ; Asynchronous Looper ; Polyphasic Sequencer ; etc. with 2x Monome 64h (8×8) & Monome Grid One (16×8 Keys) controller.
Moog CP-251 Moogerfooger Control Processor.
Moog Minitaur Compact Subharmonic 2-Oscillator Analog Bass Synth with 24dB “Ladder” Low-Pass filter.
Onde Magnétique OM-1 Analog Cassette Synthesizer Built Around The Concept That When a Continuous Tone/Note Is Recorded to Tape, Its Pitch Will Change as The Tape’s Playback Speed Is Increased or Decreased. Individual Notes Are Playable via The 8 Buttons (Keys), Each with a Tuning Knob Directly Above It. With Built-In AM/FM Radio & Optional Pitch Ribbon with 3.5mm TRS Cable.
OTO Machines Biscuit “Der Oto” 8-bit Monophonic 2-Oscillator Synth.
Phonicbloom Glo, The Polyphonic Whale MkII Pocket Synthesizer that Works by Collecting all Surrounding Noises, Pleasant or Annoying, & Wrapping Them in a Beautiful Ambient Track, which Can Be Modulated with Musical Algorithms for Live Interaction. Granular Sampler :“Infinite Looper” with Loops Up to 10 Seconds at Maximum Sampling Rate, or More at Lo-Fi Rates. Line Input as an Alternative for Built-In Microphones. Optical Sensor which Can Measure Either Ambient Light, or Light Reflected from Surfaces, Converting Patterns to Sound. It also features Mutable Instruments Clouds (Granular Texturizer), Binaural Beats & Reverb for Deeper Sound Manupulations.
Rare Waves Grendel Drone Commander Hand built Analog Drone Synth with Two Manually-Tuned Oscillators, Two LFOs with an Unusually Colorful & Nasty filter.
Roland D-550 Linear Arithmetic Synth with Dtronics DT-1000 MIDI Controller (10 Keys and 56 Slider Pots).
Roland Juno 60 with Tubbutec Juno-66 Upgrade Kit, MIDI In & Out.
SqrtSgl LabRolzer (Laboratory Rollz) Syncing Brain, Beat & Pulse Generator add-on for Ciat-Lonbarde Instruments with Tempo Adjustment & CV In/Out. inspired by and improved on Peter Blasser’s Rolzer (Laboratory Rollz). Board design by Josh Rodriquez aka crücFX, Handmade by Maciek Jaciuk aka SqrtSgl.
“In fact, the rolzer still brings up the question of identicality in a very interesting way. The paradox way is a leverage of small variations in industrial components; the multiple dimensions of capacitor specification – value, precision, accuracy, and temperature – work together to cause individuation amongst rolzers. It is because of odd rolls’ spiral of paradox, that these individual variations are felt. Feeling is the result of this affect effect, that your rolzer, over your time spent together, develops a network of surprise with your own expectations. Shazam!” Peter Blasser
Synthux Academy Audrey II Stereo Feedback “Horrorscape Synthesizer” Based on Karplus-Strong Synthesis & Powered by The Daisy Seed Microcontroller (96kHz/24-bit Audio / ARM Cortex-M7 @ 480MHz / 64MB SDRAM). Signal Flow : 1. Karplus-Strong Synthesis & Distortion ; 2. Reverb ; 3. High & Low-Pass Filters ; 4. Tape Delay Emulation ; 5. Stereo Output. Audrey II Is a Collaborative Project Developed by Nick Donaldson from Infrasonic Audio (Code) & Roey Tsemah, founder of Synthux Academy (Design).
Teenage Engineering OP-1 (MkI “Karl Marx”) Highly Portable Digital Synthesizer, Sampler, Sequencer & Workstation with AMOLED Display. 24-bit/96kHz Mono Signal Path with Left/Right Panning for Stereo Master Output. 6-Voice Polyphony.
Teenage Engineering OP-1 Field Highly Portable Digital Synthesizer, Sampler, Sequencer & Workstation. 32-bit/96kHz Stereo Signal Path. 6-Voice Polyphony. Velocity via Accelerometer. FM Broadcasting (Receiver & Transmitter). Bluetooth MIDI.
Teenage Engineering OP-XY Highly Portable 16-Track, 64 Steps, 1920 PPQN Sequencer with 4 Pages, Sampler & Performance Instrument with 24 Punch-In FX, 8 Individual Instrument Tracks + 8 Auxiliary Tracks for Controlling any External Synthesizer, Modular or Otherwise. 24-Voice Multitimbral Synthesis. USB-C Audio/MIDI. Minijack CV / Sync Out / MIDI / Aux Audio Out. Bluetooth MIDI.
Teenage Engineering oplab USB-MIDI-CV Sync Interface.
Tenage Engineering Pocket Operator PO-32 tonic Portable Drum Machine.
Tenage Engineering Pocket Operator PO-33 K.O! Micro Sampler with 40 Seconds Sample Memory & Built-In Recording Microphone.
Teenage Engineering Pocket Operator PO-133 Street Fighter
Micro Sampler with 40 Seconds Sample Memory & Built-In Recording Microphone. This Special Edition Comes with 16 Street Fighter Sound Tracks & Genuine Samples from The Original Street Fighter Arcade Game by Capcom®.
Teenage Engineering Pocket Operator Modular POM-400 Kit-Build Complete Modular Analog Synth with 14 Modules Designed by Jon Nensén, aka The Human Comparator : 3 VCOs [Square (with PWM), Saw (with FM) & Sine (with FM)], 2 VCAs (with 2 Outputs Each), 2 Envelopes, 1 Noise Module, 1 Random Voltage Generator, 1 LFO (with Square & Triangle Waveforms + 4 Outputs), 1 24/dB per Octave Low Pass Filter, 1 Three-Channel Mixer (3 Inputs / 1 output), 1 Built-In Speaker & 1 16-Step Sequencer (with PO-Sync Output ; Clock Out @ 10V). . The POM Can Be Powered with 8-AA Batteries. Warning : The POM Has No Reverse Polarity Protection.
The Human Comparator (THC aka Jon Nensén) EIMTO Ett Instrument Med Två Oscillatorer, Highly Tactile Dual-Oscillator (Inspired by The Legendary Buchla 158 Oscillators) Drone Box with Rungler Style Circuit – Dubbed The ‘Wrongler’ for Crazy FM & Generative Sequences.
The Human Comparator (THC aka Jon Nensén) Rundgång, Feedback Platform Box, Guitar Pickup, Gain Stage & EQ, followed by a Speaker with Flexible Audio Routing.
Waldorf Streichfett, String Synthesizers.
Yamaha Tenori-On, Musical Interface of Light (Sixteen-by-Sixteen Grid of LED Switches) & Sound, Designed & Created by Media Artist Toshio Iwai & Yu Nishibori (of The Music & Human Interface Group at The Yamaha Center for Advanced Sound Technology). PCM (AWM2) Synthesis with 32-Note Polyphony & 16-Part Timbrality. User Sampling Consists of 16 Separate Samples of Up to 0.97 Seconds (8- or 16-bit Stereo Samples in WAV or AIFF Format up to 48kHz).

Guitars :

Fender Custom Shop 1960 FMT Stratocaster with Dan Armstrong Wiring, Bare Knuckle Pickups PAT Pend Strat® Series – ’63 Veneer Board Pickups, Callaham Pre-CBS Vintage Brass Tremolo Block, 1996.
Fender Custom Shop 1955 George Fullerton Prototype Stratocaster LTD (30 made) with Memphis Wiring, Abigail Ybarra Handwound 50’s Pickups, Callaham High Output Base Plate (Bridge Pickup), Callaham Vintage S Model Strat Bridge Assembly, Callaham Stainless Steel Super Short Gilmour Tremolo Arm, Callaham Stainless Steel Vintage 50’s Style String Tree, 2011.
Fender Custom Shop ‘63 NOS Bass VI with Staytrem Wide Bridge, 2006.
Gibson BR-6 Lapsteel Guitar, 1949.
Gibson BU-1 Baritone Uke, 1966.
Gibson Les Paul Recording Heavily Modified Circuit Wiring with Gibson P-100 Pickups, 1971.
Gibson Custom Shop SG Brian Ray ’63 with Skatterbrane Woodbrane Alnico IV Pickup Set, Crazyparts Prewired Assembly SG 1960-1970, Bumblebee « WOMENTONE » Luxe Caps, Callaham ABR-1 Bridge, 2015.
Martin Style 3M Soprano Uke, 2011.
Martin 5-18 Marty Robbins #44, 2011.
Martin 0-15 1960.
Martin 0-18 Longhorn Custom Shop, 2014.
Martin CS OM 9-17 Custom, 2011.
Martin 00-16 DBR #389, 1998.
Martin T-28 “10-String Rajão Décacorde Mod”, 1973.
Tim Laughlin 5K Uke, 2014.
Mosrite Mark I, 1968.

Instrument Amplifiers :

Blackstar Fly 3 3 Watt Compact Mini Guitar Amp.
Blackstar Fly 3 Bass 3 Watt Compact Mini Bass Amp.
DSM & Humboldt Simplifier DLX Analogue 0 Watt Stereo 2-Channel Amplifier with 2 Studio Grade Preamps Capable of Modeling Iconic Amplifiers Tones & Full Stereo Digital Reverb.
Fender Pro Reverb Original 60’s Blackface, with Celestion Vintage ’30 Speakers.
Marshall MS-2 Mini Guitar Amp.
Swart Space Tone • ST-6V6se Black Tolex, 2008.
Z Vex Nano Head One-Half Watt World’s Smallest Production Tube Amp with Custom Modified Marshall Combo Cabinet (Acton Multi-Room) : 1x 4″ 30W Speaker + 2x 3⁄4″ 10W Tweeters.

Stompboxes :

Blackstone Appliances Mosfet Overdrive 2Sv3.3.
Boss DC-2w Dimension C Stereo Chorus Pedal.
Boss DD3 Digital Delay.
Boss MZ-2 Digital Metalizer.
Boss PS3 Pitch Shifter/Delay.
Chase Bliss Generation Loss MKII Stereo VHS Duplicator, 2-in-1 Magnetizer with MIDI, CV & Expression Control, Presets, & Internal Modulation of All Its Knobs.
Custom Tones, LLC Ethos Clean-Fusion FX Loop & Fusion-only HRM EQ mod.
Dazatronyx Tsuchi Fuzz Hybrid GE/SI or Germanium [Mullard OC42] mod.
Dawner Prince Electronics Boonar Binson Echorec Multi-Head Drum Echo.
Death By Audio Total Sonic Annihilation Custom Version with Fine Tuning, Volume Limiter & Normal/Bypass Loop Switch.
Digitech Obscura Altered Delay up to 2 second of stereo delay with 4 algorithms & tap tempo.
Erica Synths Zen Delay designed with the English independent record label Ninja Tune. Combining a tempo-synced stereo delay line with a multimode 24dB synth filter, plus a tube circuit for analog overdrive, the Zen Delay is optimized to be used as a send/return effect.
Ernie Ball Volume Pedal.
Gamechanger Audio BIGSBY Pedal Bigsby® Style Polyphonic Pitch Shifter (Up to 12 Semitone Pitch-Shifts in Both Directions) Powered by SHARC® Audio Processor, with LFO, Expression Output & Footswitch Input for Latching Mode.
Gamechanger Audio PLUS Sustain Pedal Piano Style Sustain Pedal. Real Time Audio Sampling Creating Synth-Like Pads, Soundscapes & Sonic Ambiance with 2 Outputs & FX Loop.
Gamechanger Audio LIGHT Pedal Analog Monophonic Reverb with Mechanical Spring Reverb Tank & Multiple Sets of Infrared Optical Sensors. The LIGHT Pedal Features Six Unique On-Board FX Modes : Optics (Infra-Red Aensor Calibration Mode), Sweep (Rich Modulated Reverb Sounds by Sweeping Between Optical Sensor Pairs), Term (Tremolo Pulsating Effect Achieved by Switching The Optical Sensors On & Off / Can Also Be Applied to The Spring Output), Reflect (Lo-Fi Delay Algorithm that Sends Multiple Repeats of The Input’s Signal Back Into The Spring Tank), Feedback (Special Circuit that Causes The Spring Tank to Self-Oscillate), & Harmonic (Shimmer-Style Reverb Effect Achieved by Exciting Specific Harmonics of The Spring Tank).
GFI System Duophony Stereo Advanced Serial/Parallel Blender with Internal LFO (8 Shapes : Sine, Triangle, Exponential, Sawtooth, Reverse Sawtooth, Square, Pulse 1 & Pulse 2 ) Modulations (Centered or Panning with 7 Rhythm Subdivisions), 16 presets, Expression Pedal Input & MIDI.
Hologram Electronics Microcosm “Black Colorway Edition” 11 Granular Stereo Effects (with a Total of 44 Preset Variations) Using a Variety of Sampling, Pitch-Shifting, Slice, Stretch, Delay & Looping (Stereo Phrase Looper / Up to 60 Seconds) Techniques. Each Effect Can Be Tweaked with Built-In Pitch Modulation, Lush Stereo Reverb (with 4 Selectable Modes) & Resonant Lowpass Filter. “Hold” Sampler Function to Freeze Effects & Patterns. MIDI In/Out/Thru Clock Synchronization. Selectable True Bypass Switching / Buffered Bypass with Trails.
Hudson Electronics, UK Broadcast Transformer Coupled, Discrete Class-A Germanium Pre-Amplifier based on the Classic Broadcast Consoles of the 1960s, featuring a Specially Selected Triad Steel-Core Transformer.
Jim Dunlop CBM95 Cry Baby Mini Wah [Red Fasel Inductor ; Mid setting (M)].
Keeley Electronics Dark Side Multi-FX Workstation inspired by Pink Floyd‘s David Gilmour Signature Sound : Analog 1977 Op-Amp Style Fuzz with an Early 90’s Sovtek Civil War Flavor [3-Way Selector Switch : Scooped, Flat or Full (Boosted) EQ Modes], Digital 24-bit DSP Engine Multi-Head Tape Delay Based on Binson Echorec with Flanger (Helectro-HarmoniX Electric Mistress), Rotary Speaker Cabinet (Yamaha RA-200 Cabinets), Uni-Vibe & Phaser (MXR Phase 90) Modulation. TRS Style Expression Pedal Input.
Lovepedal Custom Effects TremElo.
Lovepedal Custom Effects Vibronaut Real Photocell Vibe Circuitry with Low & High End Control, True Bypass, Raw SNS Version.
Malekko Heavy Industry Spring Chicken Digital Spring Reverb Emulation.
Moog MF-102 Ring Modulator Moogerfooger with a Voltage-Controlled Carrier Oscillator, a Voltage-Controlled Dual-Waveform LFO, Multiple CV/Expression Pedal Inputs & Outputs.
Moog MF-103 12-Stage Phaser Moogerfooger with LFO, Multiple CV/Expression Pedal Inputs & Outputs & Stereo Audio Outputs.
Moog MF-104M Analog Delay White Edition (4x) “Bucket Brigade” Moogerfooger 800ms Delay with 6 wave shapes (Sine, Triangle, Square, Ramp, Reverse Ramp, Sample & Hold) LFO, Multiple CV/Expression Pedal Inputs, MIDI input & Tapo Tempo.
Moog MF-104MSD Super Delay 560 piece limited production Analog Delay based on the MF-104M. Over 1.2 seconds of Delay Time provided by 6 NOS Panasonic “Bucket Brigade” with 6 wave shapes (Sine, Triangle, Square, Ramp, Reverse Ramp, Sample & Hold) LFO, Multiple CV/Expression Pedal Inputs, MIDI input & Tapo Tempo. Short/Long Delay Switch for Bright, Articulate 50ms-600ms Trails & Dark, Mysterious 100ms-1200ms Trails. Improved Power Supply, Bias & Rail Generating Circuitry from MF-104M for Greater Sound Quality & Reduced Microphonics. Added Emphasis/De-Emphasis Circuit for Reduced Noise & Delay-Loop Level Matching Circuitry from the 500 Series Analog Delay for Maximized Feedback & Mix Stability.
Moog MF-105M MIDI MuRF Multiple Resonance Filter Array (MuRF) with 8 Band Array of Resonant Filters Controlled by 8 Sliders & Pre-Programmed Animation Section. Full Range of Control Voltage Inputs & Extensive MIDI Implementation.
Moog MF-107 FreqBox Analogue Oscillator with FM, Integral Envelope Follower, Hard Sync, Multiple CV/Expression Pedal Inputs & Outputs & Stereo Audio Outputs.
Moog MF-108M Cluster Flux “Bucket Brigade” Chorus/Flange Moogerfooger with 6 wave shapes (Sine, Triangle, Square, Ramp, Reverse Ramp, Sample & Hold) LFO, Multiple CV/Expression Pedal Inputs, MIDI input, Positive & Negative Feedback, Tapo Tempo & Stereo Audio Outputs.
Montreal Assembly (mtl.asm) Count to 5 Granular Delay/Sampler with Three Modes & Sped-Up and Slowed-Down — As Well As Forward & Backward — Tape Effects, Audio Slicing, Looping & Overdubbing
MXR Anlaog Delay M-118 Block Logo Version (1x Reticon R5101 BBD), 1980.
MXR Dyna Comp Script Logo Version, 1977.
MXR Dyna Comp Block Logo Version, 1979-80.
MXR Limiter Block Logo Version, 1980.
MXR Micro Flanger (1x Reticon SAD512D BBD), Block Logo Version, 1980.
MXR Phase 100 Six Stage Phaser, ScriptLogo Version, 1975.
Retro-Sonic Chorus (with MN3002 BBD ; 1^st12V AC version), 2006.
Supro Chorus (Stereo Chorus using a pair of MN3007 BBS).
Tapestry Audio Bloomery Passive Volume Pedal.
Tech 21 NYC SansAmp Classic, preamp with three-position Input switch : Lead (Marshall®-style), Normal (Mesa Boogie®-style), & Bass (Fender®-style).
Valco KGB DIST “ProCo Rat” Style Distortion Designed Specifically to Work with K (Keys, Synths), G (Guitar), and B (Bass). Handbuit in Canada, he KGB Dist Features Variable Input Impedance Selection, Multi-diode Distortion with Selectable “Op-Amp” (LM308), “LED” (“Soft-Clipping” Generated by Back-to-Back LEDs), “Silicon” & “Germanium” (Back-to-Back Schottky diode) Independent Circuits, Blend Dist/Dry Mix Fader, Polarity Reverse Switch
Vongon Paragraphs AS3320 Analog Chip Analog 4-Pole Resonant Low Pass Filter with an Attack, Decay (AD) Envelope Generator with CV & MIDI Inputs.
Vongon Polyphrase Echo & Looping Device Inspired by Early Proto-Digital Delays of the 1970’s like the Lexicon Prime Time. Delay Times From 5 Milliseconds to 22 Seconds. Echo Pitch Modulation with Sine or Random Style Waveform. Tap Tempo & Midi Tempo sync.
Vongon Ultrasheer Stereo Reverb (Based on the Plate Reverb Sounds of the Classic Lexicon 224 from 1978) & Vibrato (Smooth & Transparent Digital Pitch Shifter that Preserves the Full Bandwidth of the Signal) Unit.
Xotic Effects RC Booster.
Z Vex Super Duper 2-In-1 “Vexter Series”.
Z Vex Fuzz Factory “Vexter Series”.
Z Vex Woolly Mammoth Custom Raw Case, Silicon Fuzz Designed by Chuck Zwicky.